At the Circus

“Clowns are the pegs on which the circus is hung.” —P.T. Barnum
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42 Pins
 2y
At the Circus: The Spanish Walk (Au Cirque: Le Pas espagnol), Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois), Graphite, black and colored pastel, and charcoal on off-white heavy wove paper Toulouse, Painting & Drawing, Draw, Art Photography, Art, Artist, Henri De Toulouse Lautrec, Toulouse Lautrec, Drawings
At the Circus: The Spanish Walk
At the Circus: The Spanish Walk (Au Cirque: Le Pas espagnol), Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois), Graphite, black and colored pastel, and charcoal on off-white heavy wove paper
Cover for 'El Clown Mexicano: Cuaderno No. 6', a clown tugging at his pants. The Met. Museums, Guadalupe, Antigua, Vintage Circus, Posada, Send In The Clowns, Metropolitan Museum, Metropolitan Museum Of Art
José Guadalupe Posada | Cover for 'El Clown Mexicano: Cuaderno No. 6'
Cover for 'El Clown Mexicano: Cuaderno No. 6', a clown tugging at his pants. The Met.
Attributed to Charles Joseph Sax (Belgian, Dinant, Belgium 1790–1865 Paris). Tenor (Alto) Ophicleide in E-flat. The Metropolitan Museum of Art, New York. The Crosby Brown Collection of Musical Instruments, 1889 (89.4.2719) Musical Instruments, Drums, Musicals, Orchestras, Instruments, Brass Instrument, Music Instruments, Jazz Blues, Woodwind Instruments
Attributed to Charles Joseph Sax | Tenor (Alto) Ophicleide in E-flat | Belgian | The Metropolitan Museum of Art
Attributed to Charles Joseph Sax (Belgian, Dinant, Belgium 1790–1865 Paris). Tenor (Alto) Ophicleide in E-flat. The Metropolitan Museum of Art, New York. The Crosby Brown Collection of Musical Instruments, 1889 (89.4.2719)
Paul Signac (French, Paris 1863–1935 Paris). Application of Charles Henry's Chromatic Circle; Théâtre-Libre playbill of January 31, 1889. The Metropolitan Museum of Art, New York. Purchase, Reba and Dave Williams Gift, 1990 (1990.1056) Vintage, Georges Seurat, Charles Henry, Lithograph, Giclee Print, Pointillism, Oil Painting Reproductions, Painting Reproductions, National Gallery Of Art
Paul Signac | Application of Charles Henry's Chromatic Circle; Théâtre-Libre playbill of January 31, 1889 | The Metropolitan Museum of Art
Paul Signac (French, Paris 1863–1935 Paris). Application of Charles Henry's Chromatic Circle; Théâtre-Libre playbill of January 31, 1889. The Metropolitan Museum of Art, New York. Purchase, Reba and Dave Williams Gift, 1990 (1990.1056)
Paul Signac (French, Paris 1863–1935 Paris).Place de Clichy.  The Metropolitan Museum of Art, New York. Robert Lehman Collection, 1975 (1975.1.210) Oil Paintings, Impressionist, Artist Canvas, Fine Art, Gallery Wrap Canvas, Art Prints, Painting Prints, Artwork
Paul Signac | Place de Clichy | The Metropolitan Museum of Art
Paul Signac (French, Paris 1863–1935 Paris).Place de Clichy. The Metropolitan Museum of Art, New York. Robert Lehman Collection, 1975 (1975.1.210)
Kobayashi Kiyochika (Japanese, 1847–1915). 「池の端花火」"Fireworks at Ikenohata" (Ikenohata hanabi). The Metropolitan Museum of Art, New York Gift of Miki and Sebastian Izzard, 2016 (2016.577) Meiji Era, Street Art, Japan Art, Japanese Prints, Japanese Artists, Japanese Woodblock Printing, Asian Art
Kobayashi Kiyochika | Fireworks at Ikenohata | Japan | Meiji period (1868–1912) | The Metropolitan Museum of Art
Kobayashi Kiyochika (Japanese, 1847–1915). 「池の端花火」"Fireworks at Ikenohata" (Ikenohata hanabi). The Metropolitan Museum of Art, New York Gift of Miki and Sebastian Izzard, 2016 (2016.577)
Henri-Gabriel Ibels (French, Paris 1867–1936 Paris). Design for Theater Program for The Grapnel and The Emancipated from Les Programmes du Théâtre-Libre. The Metropolitan Museum of Art, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1950 (50.616.11[9]) Paris, Design, Zebras, Teatro, Metropolitan, Theatre, Belle Epoque
Henri-Gabriel Ibels | Design for Theater Program for The Grapnel and The Emancipated from Les Programmes du Théâtre-Libre | The Metropolitan Museum of Art
Henri-Gabriel Ibels (French, Paris 1867–1936 Paris). Design for Theater Program for The Grapnel and The Emancipated from Les Programmes du Théâtre-Libre. The Metropolitan Museum of Art, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1950 (50.616.11[9])
Honoré Daumier (French, Marseilles 1808–1879 Valmondois). Sideshow of "Le charivari" (Parade du charivari). The Metropolitan Museum of Art, New York The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1962 (62.650.243) Honore Daumier, Bibliothèque Nationale, France 14, Parades, Historical Maps, The Past
Honoré Daumier | Sideshow of "Le charivari" (Parade du charivari) | The Metropolitan Museum of Art
Honoré Daumier (French, Marseilles 1808–1879 Valmondois). Sideshow of "Le charivari" (Parade du charivari). The Metropolitan Museum of Art, New York The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1962 (62.650.243)
Honoré Daumier (French, Marseilles 1808–1879 Valmondois). Here you see the great celebrities of literary, musical, and artistic France; they are thirty-six feet tall measured below sea level (Vous voyez ici les grandez célébrités), from Les Saltimbanques, published in La Caricature, April 28, 1839. The Metropolitan Museum of Art, New York The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1962 (62.650.476) Caricature, Literary, Top Art, Vintage Art, Literature Art
Honoré Daumier | Here you see the great celebrities of literary, musical, and artistic France; they are thirty-six feet tall measured below sea level (Vous voyez ici les grandez célébrités), from Les Saltimbanques, published in La Caricature, April 28, 1839 | The Metropolitan Museum of Art
Honoré Daumier (French, Marseilles 1808–1879 Valmondois). Here you see the great celebrities of literary, musical, and artistic France; they are thirty-six feet tall measured below sea level (Vous voyez ici les grandez célébrités), from Les Saltimbanques, published in La Caricature, April 28, 1839. The Metropolitan Museum of Art, New York The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1962 (62.650.476)
Honoré Daumier (French, Marseilles 1808–1879 Valmondois). Baissez le Rideau, La Farce est Jouée (Bring Down the Curtain; the Farce is Over), published in La Caricature no. 201, September 11, 1834. The Metropolitan Museum of Art, New York Gift of Louise Bechtel, 1958 (58.580.38) Toile, Antique, Jouer, Rembrandt, Seurat
Honoré Daumier | Baissez le Rideau, La Farce est Jouée (Bring Down the Curtain; the Farce is Over), published in La Caricature no. 201, September 11, 1834 | The Metropolitan Museum of Art
Honoré Daumier (French, Marseilles 1808–1879 Valmondois). Baissez le Rideau, La Farce est Jouée (Bring Down the Curtain; the Farce is Over), published in La Caricature no. 201, September 11, 1834. The Metropolitan Museum of Art, New York Gift of Louise Bechtel, 1958 (58.580.38)
Charles-Albert Arnoux Bertall (French, 1820–1882). Saltimbanques, from Le Diable à Paris, vol. II (Paris, 1846). The Metropolitan Museum of Art, New York. Gift of Mrs. Edwin De T. Bechtel, 1961 (61.538.4.2) Tattoos, Mma, Burlesque, Vaudeville, Classic Image
Andrew Best Leloir | Le Diable a Paris. . . Paris et Les Parisiens, Vol. II | The Metropolitan Museum of Art
Charles-Albert Arnoux Bertall (French, 1820–1882). Saltimbanques, from Le Diable à Paris, vol. II (Paris, 1846). The Metropolitan Museum of Art, New York. Gift of Mrs. Edwin De T. Bechtel, 1961 (61.538.4.2)
Georges Seurat (French, Paris 1859–1891 Paris). Study for "Poseuses". The Metropolitan Museum of Art, New York.Robert Lehman Collection, 1975 (1975.1.704) Original Artwork, Photo Printing, Art Movement, Fine Art Prints, Impressionism Art, Photo Paper
Georges Seurat | Study for "Poseuses" | The Metropolitan Museum of Art
Georges Seurat (French, Paris 1859–1891 Paris). Study for "Poseuses". The Metropolitan Museum of Art, New York.Robert Lehman Collection, 1975 (1975.1.704)
Marguerite Zorach (American, Santa Rosa, California 1887–1968 New York). The Circus, 1929.  The Metropolitan Museum of Art, New York. Gift of Irwin Untermyer, 1964 (64.101.1404). Quilts, Artists, Art Quilts, American Art, Textiles, Art Museum, Artesanato
Marguerite Zorach | The Circus | The Metropolitan Museum of Art
Marguerite Zorach (American, Santa Rosa, California 1887–1968 New York). The Circus, 1929. The Metropolitan Museum of Art, New York. Gift of Irwin Untermyer, 1964 (64.101.1404).
Georges Seurat (French, Paris 1859–1891 Paris). Circus Sideshow (Parade de cirque), 1887–88. The Metropolitan Museum of Art, New York. Bequest of Stephen C. Clark, 1960 (61.101.17). Classical Art, Louvre, Modern Artists
Georges Seurat | Circus Sideshow (Parade de cirque) | The Metropolitan Museum of Art
Georges Seurat (French, Paris 1859–1891 Paris). Circus Sideshow (Parade de cirque), 1887–88. The Metropolitan Museum of Art, New York. Bequest of Stephen C. Clark, 1960 (61.101.17).
Henri de Toulouse-Lautrec (French 1864–1901). The Seated Clowness, 1896. (Mademoiselle Cha-u-ka-o) (from the series Elles). The Metropolitan Museum of Art, New York. Alfred Stieglitz Collection, 1949 (49.55.50). Paul Cézanne, Henri Matisse, Art Nouveau, Classic Paintings, Paul Cezanne
Henri de Toulouse-Lautrec | The Seated Clowness (Mademoiselle Cha-u-ka-o), from "Elles" | The Metropolitan Museum of Art
Henri de Toulouse-Lautrec (French 1864–1901). The Seated Clowness, 1896. (Mademoiselle Cha-u-ka-o) (from the series Elles). The Metropolitan Museum of Art, New York. Alfred Stieglitz Collection, 1949 (49.55.50).